Naomi Wachira at Neptune Theatre openning for Damien Jurado

Naomi Wachira at Neptune

Live Review: By Anna McClain | January 21, 2014

photos by Brittney Bollay

Thinking of those who define the present-day Seattle music scene, musicians like Damien Jurado, who not only call the city home but who have influenced, promoted, and produced other local artists’ music, come to mind. Jurado’s soul-searching folk ballads have earned him a wholehearted embrace from his fans. What better way to kick off his 2014 tour and to celebrate Brothers and Sisters of the Eternal Son, the 11th and latest album in Jurado’s repertoire, than to throw an album release party at the Neptune Theatre with fans from his own backyard?

Friday night was a uniquely Seattle concert experience. The festivities began with Kenyan-born local artist Naomi Wachira, whose music, a unique blend of African rhythm and Pacific Northwestern folk, created an intimate feeling in the packed theatre. Wachira’s folk-with-a-twist style set the mood for Jurado’s performance, which isn’t surprising since he produced Wachira’s upcoming album. Wachira, who would have been a great opener regardless of her friendship and collaboration with Jurado, won over the Jurado followers with her sincerity, talent, and, to be honest, her awesome dress.

Naomi Wachira:

Often, the wait between the opener and featured artist can be tedious. It’s the time where your foot and back aches begin to set in and you wonder when the person in front of you got so extraordinarily tall. The wait between Naomi Wachira and Damien Jurado was barely noticeable. Despite the soberness of the music that night, the crowd was drunk on Jurado’s imminent appearance. To be fair, while Jurado’s fan base has been described as “cultish,” --even Jurado joked about being a cult leader at the show-- they’re more like tasteful enthusiasts than fanatical lemmings. Jurado didn’t exactly dispel this brainwashing, alien worshipping messiah character when he showed up to the Neptune clad entirely in white (he later explained that this was the same outfit he wore on his Moby collaboration) followed by 14 people in robes.
The 14 accompanying Jurado turned out to be the talented Silver Sisters Choir, the group backing Jurado on his live album, Sisters, and Damien’s Silver brothers. Among the 12 celestial women providing the other-worldly harmonies behind Jurado were Naomi Wachira and fellow Seattle artist Shelby Earl. The Seattle crowd was blessed with the choir’s only on-tour appearance. Despite the maximum-capacity crowd, the show felt intimate and the fans were silently entranced. Jurado and his choir opened with tracks from his new album, including “Silver Timothy,” “Metallic Cloud,” and “Jericho Road,” before Jurado moved on solo to fan favorites like “Cloudy Shoes” and a request for “Sheets.” Jurado’s hometown audience listened intently, save for the few interjections of ”Go Hawks!” Unfazed, Jurado responded stoically: “I love this city, yes, go Hawks.” And while his banter was limited, the crowd could feel Jurado’s affection for this familiar city where he could play a show at a venue he saw movies at as a kid. I didn’t go into this concert thinking that I would feel close to hundreds of strangers, but after Jurado’s encore of “Ohio,” and an acoustic version of “Working Titles” where the audience filled in for the choir on backup vocals, I felt at home with my fellow believers.
Damien Jurado:

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